Comments

wrote:
What are those four knobs on the sides for? Is it just where the railing on the outside is fastened or did they have any other purpose?
wrote:
I do apologize however for the "wide brush" with which I painted. I know some are just merely coming to take pictures and just observe, however the vandals seem to notice this and follow suit.

Why would one have to pay for around-the-clock security when after all there is not supposed to be someone in the building. Also, in regards to "forking over more money", I have a $30 milliion restoration and thanks to "urban explorers" (more along the vandal type) I now have to pay thousands on damage caused by people trying to get into the building. This is not even anywhere close to damages done by vandalism by removing historical architectural pieces.

Unfortunately my solution to security and 24-hour surveilance and most peoples are a little different. My idea is an 8 foot chain-link fence with razorwire on top with a shot first ask questions later security approach, especially where historical works of art (architecturally speaking) are concerned.
wrote:
As much as I love the Asylum pics, this place is a welcome change!! Thanks Motts, Ed from Oregon
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I want to go here!
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'Oddly disturbing' is an understatement. Why do you suppose the lining is hanging out?

There is a story here.
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1 pic, 2 floors of fireflaces, Very cool, Thank You
wrote:
Damn!
Motts,
in the 4th window frame (from the left)..... is that your reflection or is someone sitting there?
wrote:
yes a good name for it
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im a fan of how the piano keys look as if some one is playing it
wrote:
You go to the head of the class for such fine
shot composition.
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Bleak and ghostly, as if the photograph itself was from another time.
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you see the face and cool
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haha, i moved from massachusetts to oklahoma about 4 years ago...

and i still recognized that grasshopper instantly!
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hmmm, i actually like this little dress and i would want to take it home with me.